In conclusion, groove seems to be no more difficult to discriminate and rate than other dimensions found for music experience in music research (Farnsworth, 1969; Gabrielsson, 1973a; Gray & Wheeler, 1967; Hevner, 1936; Kleinen, 1968; Nielzén & Cesarec, 1981, 1982; Wedin, 1969, 1972).